Slightly Off Kilter: The Show



I’m one of the featured artists in a new show at Lunaria Gallery in Silverton, Oregon., opening Friday, August 2nd. The artist reception is part of Silverton’s First Friday event, and runs from 7-9 pm on August 2nd. The show, Slightly Off Kilter, features my art along with the art of Deborah Unger. Here’s a little blurb from each of us about the show:

Deborah Unger: Figurative wood sculptures using paint and cloth to create quiet scenes, often with an underlying sense of unease.

Dayna Collins: Vibrant, textural paintings using oil and cold wax to create layers of luminosity and interesting intersecections of lines.

In addition to Deborah’s wood sculptures and my oil and cold wax paintings, I’ll have a selection of Funky Junkyard Birds and something new: Slightly Off Kilter Blocks.

The show runs through September 2nd.

Junkin’ and Jivin’


I haven’t posted about a junking expedition in a long time and since I discovered three wonderful  vintage shops and I’m feeling generous, I’m going to share these little gems, all located east of Portland.


The Wade Creek House

This is actually a compound of buildings featuring antiques, collectibles, and vintage treasures. It is located at 664 NW Wade Street in Estacada. The owner, Dyan, knows my good friend Bobbie! Small world. Dyan just opened her store in June, so it is brand new and filled to the brim with good things.







Foxtrot Vintage

This is another relatively new shop and is located in downtown Gresham. Cute street, cute shop. The proprietor is Todd, who went to the same grade school as Howard (Harvey Scott, in case you are curious).





Vintage Station

Our final discovery was also in Gresham. This shop is run by Sonja, who used to be a vendor at Stars and currently has a booth at Monticello, two of my favorite antique malls in Portland.






Final Thoughts

It is definitely worth a drive east out of Portland. Beautiful scenery, nice shops. And yes, I did make a few purchases (including the pink chair in the first photo).

To Teach Or Not To Teach

Blog art hands

I love to teach. I love to make art. Sometimes I can’t seem to make the two jive. If I’m teaching, it seems to gobble up so much of my available art time: devising classes, making samples, then proposing them;  making lists of supplies for students to purchase, making lists of what I’ll provide and need to bring. Then there is the endless and constant promoting. I love providing a class packet with handouts, again time-consuming to create and assemble. When class time arrives, there are boxes of supplies to pack up and schlep to the site of the class, the reverse when the class is over, pack everything up, take it back to the studio and put it all away. Time. Such a valuable commodity.

Blog class 2

I took off all of 2012 from teaching. I didn’t teach a single class and I didn’t offer any sessions of The Artist’s Way. Instead, I focused on creating art. It paid off. I had a solo show in Silverton at Lunaria Gallery in August of last year, and as a result, was invited to join the gallery as a member. I also had a solo show at Portland’s Guardino Gallery in March of this year, a dream come true.

As 2013 approached, I started thinking about teaching again. I decided to offer a 12-session of The Artist’s Way and it filled immediately. I was approached by The Art Department in downtown Salem about teaching a couple of classes and I came up with two: Layers of Memory (a plaster and painting class) and Oil and Cold Wax: Abstracted Play. The plaster class sold out immediately with a waiting list; I offered it again a couple of months later and again it sold out (with another waiting list). The oil and cold wax didn’t sell out, but since teaching it, I received many e-mails from people asking me when I would be teaching it again. I was contacted by The Art Department about teaching classes again over the next couple of semesters. I paused. I needed to decide if teaching was where I wanted to put my focus. I always come away from my classes energized and full of satisfaction. It is gratifying to share techniques and nurture others on their creative journey. But something was causing me to hesitate.

Blog Dayna teaching

I chatted with my husband, a huge supporter of my art, whether  teaching or creating. His preference has always been for me to concentrate on making art, not teaching it, but if I chose to teach, he’d be right there schlepping boxes for me. His advice was to back away from teaching and focus on making art.

I made the decision not to teach any more classes this year. I’ll most likely offer a 12-week session of The Artist’s Way again at the beginning of 2014 as that is a different type of offering, less about teaching and more guiding, facilitating, and nurturing.

I sometimes have pangs of regret about my decision. When I see someone else teaching what I had proposed or what I have been teaching, it causes me to second guess my decision. That’s why I’m writing this blog post. I thought if I revisited my decision, then shared it publicly, it would remind me why I made the decision I did. Right now, I’m focusing on a show I have in August at Lunaria. I’ve made a proposal to a favorite venue in Portland about a possible show in the future. And I would love to have another show at Guardino sometime in the future. I’m always looking for new opportunities to share my work. But to create a body of work, to explore and grow and express myself through my art, it means devoting lots of time in the studio.

Blog stack of boards USE

Studio Vignettes


I’m working on a new series of paintings for an August show. which I’ll be sharing more about later. I’m also working on a large batch of new Funky Junkyard Birds, but they aren’t ready to make their appearance quite yet. So, in lieu of art I thought I would share some vignettes from my painting studio. I don’t want to share a grand view of my studio because that would give away too many peeks at my new art, but I can share some of my fun little collections.


















Painting From the Intuitive


For the past five years, I’ve made an annual pilgrimage to the Oregon College of Art and Craft to study and work with Patricia Wheeler. The class is called Painting From the Intuitive and it is five days of painting, plastering, sanding, painting, scratching, scritching, staining, and waxing on wood panels. Since first learning this process, I’ve gone on to add layers of oil and cold wax to the plastered and painted boards, but for the first week of June, it was all about the plaster and acrylic stains. Here’s my week in photos, ending with a stack of boards ready for me to begin the arduous task of adding layers and layers of oil and cold wax. Let the games begin.



















PS An added bonus is getting to spend time with my friends Stephanie Brockway and Jason Berlin. I met Stephanie is Pat’s class five years ago and our friendship took root. I met Jason last year in Pat’s class and we’ve been friends ever since. Pat’s class seems to be a good place to make friends.

Carnival of Landscapes: New Works


I’ve been working on a new series, Carnival of Landscapes. This new series of paintings have been done in oil and cold wax on wood panels (some have an underlayer of plaster) and reflect a vibrant, rich color palette. Seven have been finished and will be making their way to Lunaria Gallery in Silverton in time for First Friday, June 7th.


Open Valley

Open Valley


Against the Fields

Against the Fields


Silent Atmosphere

Silent Atmosphere


Unfinished Story

Unfinished Story





Visual Language

Visual Language


Silent Clouds

Silent Clouds



Funky Junkyard Birds: A New Flock

Latest Flock of Funky Junkyard Birds


I recently finished up a batch of my Funky Junkyard Birds, birds made from recycled, upcycled, and found objects. I haven’t made these birds for over a year, maybe longer, so it felt good to get back in the groove. Once I made the new flock, it got me clamoring to make more, so I spent a couple of days cutting out bird body parts and I can’t wait to dig in because I’ve got some great ideas to embellish and  make the next batch a bit more flamboyant.

I thought it might be fun to see some of the materials in my basement studio (where my metal, wood, and plaster work is done). From raw materials to finished art.


A Pile of Tins

Drawers and Drawers and Drawers of Metal Bits

The Bird Leg Store

A Box of Knobs

Possible Bird Parts

Bird Body Components


A sampling of my most recent Funky Junkyard Birds.







Katherine the Great


Transition Time: Hello New Blog

Studio View

I’ve been blogging since October, 2007. Since that time I’ve written 905 posts and shared thousands of photographs. I plan to continue blogging, but I’ve migrated to a new platform and with that change, it means starting fresh with a new blog. My old site has been archived and is still available for reading. I’ve added a link on my sidebar to make it easy to hop over there. From now on, I’ll document my art adventures  right here. I’ll continue to post about the classes I take and teach, the art I make, the shows I’m in, and the goodies I gather when I’m out junking.


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