I was the featured artist at our recent quarterly Open Studios at the Mill, held on February 13. My show focused on a series of revamped and new Salvage Collages as well as some acrylic paintings done on book board covers, utilizing my materials in a new way. I worked on pieces feverishly right up until it was time to get the show hung.
Artist Statement about my Salvage Collages:
Dayna Collins has always loved old books. She hyperventilates at the sight of books which are stained, defaced, torn or marked up. She rips battered books apart, reclaiming their faded fragments, and creates collages using only materials she has excavated. Dayna’s mixed media pieces reflect the passage of time, repurposing the scraps that are worn and weathered, transforming the aged and tattered pieces into something unexpected and beautiful, celebrating their fragile decay.
My husband hung my show in two stages, and it turns out he has quite a knack for curating and hanging.
The end result was quite nice.
Some of the pieces in the show:
And some of the paintings on book boards:
Many thanks to those who stopped in to say hello, and to Luis Noriega for attending our Open Studios and interviewing some of our artists for his podcast: Down the Rabbit Hole DTRH Podcast
Head’s Up: Next opportunity to see my Salvage Collages will be at a Pop – Up in July in Astoria, Oregon!
I did it! During 2019 I set a goal of painting in my visual journal every day. I sometimes fell behind if I was out of town, other times I took my paints and journal along with me and kept up. I fell waaaayyy behind in mid December and it took me until mid February to get completely caught up, but family medical emergencies are never convenient.
I filled 6-1/2 visual journals (I wrote about my process and the type of journals I used here) and created 366 pages of paintings (I accidentally painted two pages for the same day). Throughout the year I did blog posts sharing about my project and posting photos of my favorite pages; now I want to share some final photos of favorite pages created since my last post in early November.
It was a great year. Some of my takeaways:
- I challenged myself to get into my studio every day.
- I experimented with new ideas.
- I pushed myself to use different colors and compositions.
- I explored using a bigger vocabulary of marks and lines.
- I challenged myself to be bold and at times audacious.
- I had fun, which helped me paint loose.
And now I’m doing something different for 2020. . . . . . .
I’m pleased to share that I currently have an exhibition of my Salvage Collages at Willamette University’s Hatfield Library. My show, Salvage Collage: A Sort of Magic, is on view through January 20, 2020. It is always a thrill to show at the library, where I used to work 20 years ago.
Leading up to my exhibition, I was feverishly creating new work and revamping some old pieces to give them new life.
On the day of hanging, I used book carts to get my boxes and suitcases to the second floor of the Hatfield Library.
Then I spread everything out and began the process of stacking books in the cases and auditioning where to put the assorted Salvage Collages.
After a couple of hours, my work was complete.
The public is welcome to visit the library (and my exhibit) during library hours.The best place to park is on State Street, where there is metered parking (Willamette is located right across the street from the State Capitol). While you are at the library, check out the Pacific Northwest Artists Archives, which is right next to the two cases where my exhibition is. There is also some great art on the first and second floors by regional artists.
I will soon complete journal #6 in my quest to do a daily painting in my visual journal throughout 2019. We’ve been revamping a house in Astoria on the Oregon coast, so I’m about
a week behind two weeks behind in my daily paintings, and I plan to get caught up after Thanksgiving. Yesterday I cataloged the pages I have completed since early October, so I thought I would share some of my favorites.
It has been a long time since I painted with oil and cold wax. I’ve kept up with my daily acrylic painting in my visual journal and I have been steadfast in working on my Salvage Collages, but my oil paints and cold wax medium sat quietly on the shelves, waiting for my return. Deadlines are great motivators.
Guardino Gallery is hosting their 19th annual Little Things show and work is due this month. Earlier, I completed seven small abstract paintings, but I had hoped to have at least 12 for the show. Everything in the Little Things show needs to be 7×7 inches or smaller, so my pieces are all 5×5 inches, a fun size to paint and a size that keeps the price affordable.
Sunday turned out to be a quiet day and I had the house to myself, so I headed to my painting studio, quickly painted in my daily visual journal, then pulled out my gallon of cold wax and began choosing oil paint colors I wanted to work with. I lined up nine 5×5 boards; six of them had the beginnings of paintings and three I had deemed completed. All nine got a makeover. It felt great to work primarily in a limited palette of warm colors: pinks, magentas, reds, oranges . . . . with dabs, lines, and swaths of other colors to add contrast and variety.
These were three of the initial seven that made the cut:
Little Things 19 opens Friday, November 29, 6-9 pm, at Guardino Gallery in Portland on NE 30th and Alberta.
Time for an update of my year long project of painting in a visual journal every day. Here’s a selection of pages from late summer through early fall. Favorites:
Themes continue to emerge: Play, experimentation, circles, layers, mark-making, revealing, excavation, color, lines . . . . and I’m in the final three months of my project.
Years ago I clipped an article out of the Freshwater News, a local Portland boating newspaper, about an alien cement boat that had washed ashore on Sauvie Island, just a short drive west of Portland. I was immediately hooked, but tucked the article away for some day.
That day came on Friday when Howard and I decided to go for a hike and locate the alien craft. For those who are fans of Atlas Obscura (it is what we use as our guide when we travel), you can find the UFO boat listed under Unusual Things to Do in Portland, No. 24. We did some additional research about where the boat was located, and surprisingly, it wasn’t difficult to find at all.
In a nutshell, head to Sauvie Island, take Reeder Road to Collin’s Beach (clothes optional, so if you go in the summer, don’t be surprised if you don’t see clothed people), and park at entrance 3 (entrances are marked). There is plenty of parking, but you will need a $10 day pass to park. Head toward the river and turn right.
We had only walked a short distance, when Howard said, “I see it.” I hyperventilated and ran toward it, overcome with emotion and pure joy.
You get the idea.
The tri-hull concrete boat is made of ferro cement and created by Richard Ensign (an engineer in Hubbard, Oregon) in the early 1970s. The craft could hold 12 people and had a homemade wood stove on board, along with a generator to provide power. The maiden voyage took place in 1973. The last time the boat was registered with the Oregon Marine Board was 1978. When the 1996 floods occurred, the boat slipped out of its moorage and ended up on a beach at Sauvie Island, hidden by trees. This sign sharing some of the history is posted by a tree next to the orb.
It’s possible to go into the boat, but it isn’t easy and I wasn’t able to maneuver one of the three ways of entry: A hanging rope with knots, a couple of unstable logs leaned up against the back, or just flat out climbing up onto the vessel by holding and twisting; Howard chose option 3. (If you really want to enter, bring a tall ladder! I wish I had.)
I handed my camera to Howard and he took the inside photos.
Howard had such fun scrambling around inside and out, I was definitely jealous.
We didn’t rush our visit and no one was around, so we had it to ourselves (although I doubt there is a huge rush at any time!).
It was finally time to go. I gave her a final hug . . . .
. . . and decided to share my discovery with my friends so they could experience the thrill of seeing such an unusual object in the wild!
PS A guy arrived at the beach just as we were leaving. He was wearing a pretty sweet pair of sparkly see through red shorts, and it looked like he was preparing to go for a swim. We said hello and headed out for our hike to the Warrior Head Lighthouse.
Day of the Dead, year 13, opens Thursday, September 26, 2019, at Guardino Gallery in NE Portland. Not only is this a fabulous group show featuring over 50 artists, it is the place to be for the celebration, costumes, face painting, music, food, and inventive art. I’ve participated for many years, frequently getting into the spirit by dressing up.
My art for the show has always been assemblages and found object art. This year, I created four pieces, all nestled into vintage wood boxes. Three of my pieces are tall and narrow boxes, each with a single chair, a word, and a minimum of objects. In creating these simple pieces, I was thinking about those I have lost and the desire to sit with them for one last conversation.
lost listen linger
The other piece I created for this show is a variation on a design I created in 2017 for a community read project and then for the 2017 Day of the Dead show; this time around, rather than hanging found objects of remembrance on a branch or a piece of wood, I nestled the items in a box, attaching each piece of string with a vintage and aged thumb tack.
I love this show and I hope you’ll be able to attend the opening reception on Thursday, September 26, 6-9 pm, or visit the show, which will be up until October 27.
I was invited by the Salem Poetry Festival to paint while two poets read a series of their poems during the Salem Poetry Festival. Last Thursday, I arrived early at the Ike Box in downtown Salem to set up my table. I chose to bring four 11 x 14 canvases and two table easels, with the plan to paint two pieces as each poet read their poetry for about 30 minutes each.
The idea was that my painting would be in response to the poems being read. To prepare for the evening of painting, I repurposed four canvases I had bought at SCRAP, painting over someone’s previous painting to prepare it for my use; I painted two of the canvases black and two in hot pink and orange, giving me something to respond to other than a blank, white canvas.
Poet Carol Hottle kicked off the event and my first painting was in response to her reading a series of poems about a transformational experience she had, surviving a horrific auto accident.
My second painting was in response to a series of poems that reflected positive experiences, and I allowed myself to focus on the visual images Carol painted with her words.
When it was time for poet Mike Shuler to read, I listened as he read until I picked up on a poem about children joyfully playing along the banks of a river, and I couldn’t resist painting a bright abstracted landscape.
The second piece I painted was in response to Mike sharing how much he loves hiking in the Cascade Head area, a place that is near and dear to me because it is where Sitka Center For Art and Ecology is located (and where I taught two painting classes this summer).
The whole experience was positive and fun and once I started painting, I tuned out the room full of people and just focused on the flow of words and the flow of paint. At the conclusion of the evening, I invited both poets to choose a painting to take with them.
What a wild week. Twelve women artists came together to take my Abstracted Play in Oil and Cold Wax workshop at the Sitka Center for Art and Ecology. Some had taken my class previously, a few had learned from other instructors, and quite a few had never worked with oil paint or cold wax, and one was new to painting. There was some gnashing of teeth, lots of laughter, a little whining, a smidgeon of frustration, and in the end, happiness with their success and the beauty of their pieces.
I did demos every morning and afternoon . . .
The women then worked on their own pieces, working in multiples so they had lots of pieces to work on at various stages of the process.
One thing I loved seeing was the camaraderie of how the women supported each other and worked together.
I gave my Artist Talk on Saturday after lunch (they all showed up for my talk, although this photo makes it look like no one did!).
On our last day, we worked in the morning and then in the afternoon cleaned up our supplies, spread out our body of work, and did a walkabout, sharing the highlights of the week.
Here is an assortment of the work created during the week, in no particular order, some on boards, some on Arches Oil Paper, some large and some small:
It was a really fun week.
PS This was the second time I got to teach at Sitka this summer. In June, there was an opening and I was able to slip in a bonus version of this workshop, which I blogged about earlier.