I’m a tad tardy in sharing about my June class at Sitka Center for Art and Ecology, but it has been fun looking through all of the photos a month later. This class was special because Sitka had a last minute workshop cancellation and I was asked to teach an additional session of my Abstracted Play in Oil and Cold Wax (my August class filled quickly and had a long waiting list).
Sitka is located on the Oregon Coast at Cascade Head (between Lincoln City and Neskowin). I got to stay in Gray House, a cabin located just a short walk up from Boyden Studio, where my class was held.
I love the process of preparing to teach – walking the grounds, the lesson planning, and getting the studio set up.
Once class got started, it was a whirlwind of activity. I started each morning with a warm up exercise, and then moved into teaching techniques. Students were given lots of time to practice and play – and they all jumped in with a fearless enthusiasm.
This routine was repeated for four days and it was a blur of heightened energy, creativity, and beautiful results.
On the fourth day, we worked in the morning, and then cleaned up in preparation for our sharing and wrap up.
During our class, I did warm ups along with students and also illustrated how working in a visual journal can be great inspiration for creating paintings.
I’m already excited for my next class, August 22-25.
I started doing a daily painting in my visual journal on January 1st and believe it or not, I’ve stuck with it. I got a little behind over the past couple of weeks, but I’ve been slowly doubling down on my daily paintings and I’m almost caught up. I did my first post about this project on January 25 and then an update on March 27. In both of my previous posts, I shared a selection of daily paintings from my journals (I’m on journal number 3). I figured it was time I did another update and share more paintings. Going through the pages of my journals, I am reminded why I’m incorporating this practice into my daily schedule: 1) It gets me into the studio, and 2) I’m experimenting with composition, colors, and ideas. All very good things.
Last November, I was invited by Barbara Bassett to do a show with her at her gallery, Barbara Basset Art Gallery, located at Pudding River Wine Cellars. I’ve long admired Barbara’s work and love the setting of her gallery, so I said yes.
We got together several months ago to plan for our show and come up with a title; we both liked Nature’s Rhythm, as it gave us freedom to create in our own styles.
I wrote a quick blurb about my pieces:
Color is an overriding theme in Dayna’s work. Whether she is painting abstract landscapes or creating more nonrepresentational work, color always finds its way into her paintings, mimicking or exaggerating nature’s wild palette.
We hung our show last week with the help of Sean, the owner and winemaker at Pudding River Wine Cellars.
Barbara worked big, I did a series of 12×12 inch pieces.
We got the show hung quickly, and then we did a timed selfie.
Some of the pieces I will have in the show:
The opening reception is Wednesday, May 22, 4:00 – 6:00 pm. The Pudding River Wine Cellars and Barbara Bassett Art Gallery are just a ten-minute drive from from Silverton and 15-minutes from Salem, through the beautiful countryside. The show will be up for several months, so if you can’t make the opening, take a short drive and visit this beautiful winery and gallery.
A few months ago I was contacted by Mary Lou Zeek, an artist and art force in Oregon, asking if I would be interested in being the featured artist for the Family Building Blocks annual fundraiser, Uncorked Live. I was familiar with Family Building Blocks and I knew they did excellent work in our community; their motto is: Keeping Children Safe and Families Together. I did a little research on their annual auction and in pretty short order told Mary Lou I was definitely interested and to please put me in contact with the Uncorked organizer.
I had been working on three new large paintings (30×40 inches) and I thought any one of them might be a possibility. I was also working on a fourth painting (36×36 inches), that was coming along. A date was set of April 1st to decide on a painting. Because I have lots of work hanging in my house, it was decided that a committee would come to my house and select a painting.
The group walked through my house: upstairs, main floor, and downstairs, looking at their options. They settled on three possibilities, and my husband lugged each of them outside so they could be viewed in the best light. The three options included:
The ladies whittled it down to two selections and asked me to choose as they wanted me to select the one that best represented me. I chose Against A Cloud Lit Night because it was my most recent painting, but also because I had painted it with the auction in mind.
The painting was delivered to the photographer the first week of April, photographed and then returned to me to finish drying until the auction in mid May. Last week the painting was delivered to Zenith Vineyard, where the auction was being held.
The perks of being the featured artist for this prestigious event was having my art featured on the cover of the auction catalog and for my art to be on the wine labels of the bottles of wine, which were given to everyone in attendance. What I didn’t know was that my art would be etched onto a jeroboam of wine (a jeroboam is equivalent to six standard 750 ml bottles – who knew there was such a thing!). The etched label was gorgeous and even had texture.
Uncorked Live was held last Saturday night, May 18th. It was a surreal evening; seeing my art on display, then being handed an auction catalog with my art featured on the front. Everyone in attendance received a bottle of red wine or sparkling chardonnay, both with my art on the label.
Two people asked for my autograph, first on the cover of the catalog, and then later to sign a bottle of wine.
What a thrill.
I was anxious leading up to the actual auction, fearful that no one would bid on my piece. My painting was the fifth on the line up . . . .
. . . and it sold for $3,500. I later learned that two jeroboams of wine had sold for $850 each and one of the bottles was purchased by the owner of a vineyard who wanted it on display at her vineyard for the art rather than for the wine.
I was happy to have helped raise over $5,000 for this wonderful organization keeping children safe and families together.
At a recent art retreat with the Salem Art Group on the Oregon Coast, Bonnie brought everyone a small handmade blank journal to fill as we chose. I think this is the fourth (or fifth?) journal Bonnie has provided as we have retreated together over the years. I filled the pages of this little journal with scraps from deconstructed books. (I brought tons of material to work on collages mounted onto worn and well used book boards, so I had plenty of random and leftover fodder to create a tiny journal of Salvage Collages.)
A random selection of my pages.
I plan to use these pages as inspiration for future Salvage Collages mounted on discarded book boards.
The Salem Art Group now has ten members, the most we have ever had, but when just the right people appeared, we couldn’t say no. Twice a year our group retreats: in the spring we head to the Oregon coast, and in the summer, we head east to a cabin on the Metolius River. With ten members, we have to get a bit more creative with sleeping arrangements, but somehow we manage. A couple of weeks ago we found our way to Culver City, just south of Lincoln City, and on the Siletz Bay.
We all set up stations and worked on whatever we wanted.
Afternoon walks often occur, either in groups or on solo adventures.
We each bring our own breakfast and lunch, but every night we go out for a nice dinner. The first night we veered a little off of our formula and had dinner at a bowling alley, but it was a cool place with an unusually tasty menu. Of course, we reserved two lanes and bowled. No one had bowled for years, including myself, but somehow I managed to bowl an impressive 158!
During our days, I worked on a series of Salvage Collages on book boards, using pieces and parts of deconstructed vintage discarded books to create the collages.
We’re already counting down the days for our next retreat.
I last posted pages from my Visual Journal on January 25, 2019, and unbelievably, I have continued with my daily practice of painting every day, focusing on color, composition, and making random marks. I have found several benefits from this daily practice. 1) It gets me into my studio. Even though I sometimes think I’ll just pop in to paint a page, I often linger and work on other projects. 2) Because these daily pages aren’t precious or for anything other than fun and practice, I work looser and with more freedom than when I’m painting for a show or a deadline. 3) My practice pages have become inspiration for my paintings in oil and cold wax.
Here’s a smattering of my pages from the past couple of months:
There is no doubt about it, creating my Salvage Collage mixed media pieces are time-consuming and messy work. First is the collecting of vintage books (worthy of a separate post), then the dismantling of the books (another separate post). When all of the collecting and ripping apart has been done, it is time to slog through the piles, looking for just the right scraps to create something new. All of the pieces I use in my collages are from discarded books that have been ripped apart and disassembled – from the linen covers, to the gluey spines, to the book boards themselves.
Eventually it is time to stop sorting and auditioning and actually glue the pieces into place.
Meanwhile, I’m off to the YMCA annual book sale because today is the final day and all books are $5 a box!
I decided to shake things up a bit when I hung my 2019 calendar, thinking I would paint a quick abstract each day in my visual journal. Who knows how long I will maintain this practice, but so far, so good, and today is January 25th.
I’ve learned a couple of things along the way. First, it is fun to paint quickly, loose, and free, for no reason other than the joy of painting. And second, as a result of painting quick, loose, and free, I have several ideas for bigger paintings!
No need to share every daily painting, but here’s a random selection.
My journal is 9×9 inches, mixed media paper, and spiral bound so it lays flat when it is open. I’ve been using Golden acrylics, a black Stabilo pencil, sharp pointy objects for scritching and scratching, Stabilo Woody 3 in 1 Stabilo pencils, a paintbrush, occasional stamps and stencils, a No.2 pencil, and a palette knife.
I am excited to announce that I will be having a Salvage Collage mixed media art exhibit at Guardino Gallery in August of 2019. I have already started working on a series of collages for the show, but somewhere along the way I became obsessed with grids. And circles. And circle grids. I have purchased circle punches ranging from teeny tiny to jumbo sized. All of my Salvage Collage pieces for this show are created from deconstructed, decaying, vintage, falling apart books. Here’s a peek at a recent piece I worked on in my studio last week. This one is being created using book scraps and the completed collage will be mounted onto a book cover. (You can see some circles have crept into this piece……)
My fascination with grids goes back a number of years, so when I started cutting out little blocks of color from discarded and deconstructed books, it wasn’t surprising that I started to create grids.
After cutting out a variety of squares, I started experimenting with adding shapes for more visual interest. Both of these pieces are still in the auditioning stage, but once I start gluing, I will fine tune the final composition.
It was a short leap from squares to circles and that is when my obsession kicked into high gear.
And so it goes. Ripping, tearing, punching, repeat. Periodic updates on my project can be found on my Instagram page: DaynaLovesArt.